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Whats My Age Again by Blink182

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1999 single by Blink-182

"What's My Age Once more?"
WhatsMyAgeAgain.jpg
Single by Blink-182
from the anthology Enema of the State
Released Apr 13, 1999
Recorded January–March 1999
Genre Popular punk
Length 2:26
Label MCA
Songwriter(southward)
  • Mark Hoppus
  • Tom DeLonge
Producer(south) Jerry Finn
Blink-182 singles chronology
"Josie"
(1998) 		"What's My Age Over again?"
(1999) 		"All the Modest Things"
(2000)

"What's My Historic period Again?" is a vocal by American rock band Blink-182. It was released in April 1999 as the pb single from the group'south tertiary studio album, Enema of the Land (1999), released through MCA Records. "What's My Age Again?" shares writing credits between the band's guitarist Tom DeLonge and bassist Mark Hoppus, just Hoppus was the primary composer of the song. It was the band's starting time single to feature drummer Travis Barker. A mid-tempo popular punk song, "What's My Age Again?" is memorable for its distinctive, arpeggiated guitar intro.

The song lyrically revolves around the onset of age and maturity, and the failure to implement changes in 1's behavior. Hoppus declined to characterization the song as autobiographical, merely admitted that he spent his twenties acting immature. The trio recorded the song with producer Jerry Finn. It was originally titled "Peter Pan Complex", an allusion to the pop-psychology concept, merely the record characterization institute the reference obscure and adjusted the championship. The vocal's signature music video famously features the band running nude on the streets of Los Angeles. It received heavy rotation on MTV and other music video channels.

It became 1 of the band's best-performing singles, peaking at number 2 on Billboard 's Modern Stone Tracks chart in the U.S. for ten weeks. The song placed at number 3 in Italy and number 17 in the United kingdom of great britain and northern ireland. Primarily an airplay hit, the vocal was the band's first to cantankerous over to pop radio, hit number 58 on the Billboard Hot 100. The vocal received positive reviews and has been called a archetype popular punk track; NME placed information technology at number 117 on its list "150 All-time Tracks of the By 15 Years" in 2012.[1]

Background and writing [edit]

Bassist and vocalist Marking Hoppus initially composed the vocal as a joke.

Blink-182, consisting of bassist Marker Hoppus, guitarist Tom DeLonge, and drummer Scott Raynor, formed in the early 1990s, and by the end of the decade, had reached commercial success with their second album, 1997's Dude Ranch. Its lead single, "Dammit (Growing Up)", became one of the well-nigh-played U.Due south. modern rock hits of 1998,[two] sending its parent album to a gold certification and bringing the members newfound notoriety and wealth. With his first advance from major-label MCA, Hoppus purchased a home in the band's hometown of San Diego, California. Hoppus developed "What'southward My Age Over again?" while sitting on the floor and playing guitar in his kitchen/living room.[3] He was attempting to play the song "J.A.R." by Greenish Twenty-four hour period, which has a distinctive intro on bass guitar. While practicing playing the riff, Hoppus came upwardly with a new song derived from his failure to perform the part correctly.[4]

Though he initially developed information technology equally a vulgar joke song,[v] he felt it had potential as a regular tune. Hoppus claims it took him five minutes to write. He later presented the song to the ring while rehearsing at DML Studios in Escondido, California, where they had booked time for 2 weeks to write new songs.[6] Before that year, Raynor had been expelled from the grouping and replaced with percussionist Travis Barker, previously of the ska-punk act the Aquabats. He and DeLonge constitute the composition agreeable and farther adult information technology in the rehearsal space. The story in the vocal is not strictly autobiographical, simply its central theme resonated with Hoppus, who spent his twenties by his ain admission "acting like a jackass teenager".[7] Barker agreed, afterwards commenting: "[Mark] was a grown man but kept acting similar a kid."[half dozen] Many Blink songs middle on maturity—"more specifically, their lack of it, their attitude toward their lack of it, or their eventual wide-eyed exploration of it" co-ordinate to writer Nitsuh Abebe.[8]

Composition [edit]

"What'southward My Age Once more?" is credited to Tom DeLonge and Mark Hoppus.[nine] Though Barker helped write the songs on Enema of the Land, simply Hoppus and DeLonge received songwriting credits, as Barker was technically a hired musician, not official ring member.[ten] The song is two minutes and twenty-eight seconds long. The vocal is composed in the central of G-flat major and is set in time signature of mutual time with a driving tempo of 158 beats per infinitesimal. Hoppus' vocal range spans from Db3 to Gb4.[11] It follows a I–V–vi–IV chord progression, common across several genres of music. The band utilize the progression in numerous other singles; music educator and author Dan Bennett claims the progression is sometimes chosen the "popular-punk progression" because of its frequent use in the genre.[12] The song is incredibly brief compared to most singles; within one minute, nigh ii total verses and a chorus have been completed, and it in total runs two minutes and xx-six seconds.[3]

The vocal opens with a catchy, arpeggiated guitar function, following the song'due south chords in playing the root of each chord. The part has been considered catchy to perform; given its quick, articulated nature, information technology can be difficult to skip over the strings properly.[three] Hoppus's bass line, which has been compared to the Pixies' song "Debaser",[13] situates on the root notes of each chord.[12] The song's commencement poetry detail an intimate relationship gone amiss. Hoppus sings of wearing cologne in hopes to print a girl on a weekend appointment. Upon returning domicile, foreplay ensues, during which the protagonist begins watching television.[14] This prompts his insulted partner to leave, leading into the song'south chorus, in which Hoppus sings that "nobody likes you lot when you lot're 23." Hoppus was 25 when he wrote the vocal, and only included the lyric to rhyme. The song utilizes ability chords in its chorus, and substitutes the arpeggiated intro for palm-muted power chords in the succeeding poesy.[3]

Each chorus is lyrically distinct, which was one of Hoppus'southward original goals; he felt this approach kept the vocal interesting and advanced the story in a creative manner. Hoppus had one time read that "the best art is the development of familiarity": an artist introduces an idea, a listener connects with it, and the creative person slightly alters the original idea to retain a familiar feeling.[three]

Recording and production [edit]

"What'due south My Age Over again?" was the trio's first single with drummer Travis Barker.

After farther evolution, the group presented information technology to producer Jerry Finn. A veteran engineer, Finn came to fame mixing Dark-green Mean solar day'south breakthrough album Dookie (1994). Finn was suggested by the label every bit an option for producing Enema of the State; the band got along with him immediately, and connected to work with him on their future projects. Finn would advise and make adjustments where necessary, though in the example of "What'south My Historic period Again?", he had footling notes. By the time Hoppus presented the song to his bandmates, the kickoff poetry and chorus were written, with its second verse and bridge section needing further piece of work. Hoppus and DeLonge crafted an instrumental bridge that went on for eight measures, which all agreed felt also long.[iii] Finn assisted in shortening the department, and the group recorded a demo at DML Studios.

Within the new year's day, the group recorded the vocal proper. The drums on Enema of the Land were tracked at Mad Hatter Studios in North Hollywood, a space once endemic by jazz musician Chick Corea. Hoppus remembered that Finn was meticulous in recording the kit, spending hours on microphone placement, besides as picking compressors and at which rate they would run.[3] Barker recorded his drum portions, also as the residuum of the album's twelve songs, in 8 hours.[15] From there, Hoppus and DeLonge recorded their bass and guitar tracks at multiple studios throughout Los Angeles and San Diego.[9] The band brought in session musician Roger Joseph Manning Jr.—best known for his career in the ring Jellyfish and work with Beck—to add keyboard parts in the background of the song.[sixteen]

The vocal originally ended subsequently its final chorus. While recording, Hoppus liked how the arpeggiated chord progression connected over the rhythm guitar line in the last chorus, and wished to extend its length to highlight this element. In the pre-digital recording environment, this required the team to "bounce" the mix from the analog tape recorder (a 24 track 2-inch tape) to another tape, and splice the recordings together. With recording consummate, the song was sent to engineer Tom Lord-Alge, who mixed the vocal at his South Beach Studios facility in Miami Beach, Florida.[17] Lord-Alge had had previously remixed the Dude Ranch singles "Dammit" and "Josie" for radio, and would work with the grouping frequently in the hereafter. Lord-Alge added subtle touches, including a panning event for the title phrase in the last chorus.[three]

Release and chart performance [edit]

The vocal's title originally referenced fictional children's character Peter Pan.

The working title for the song was "Peter Pan Complex",[18] referencing the popular psychology concept of an developed who is socially immature. Executives at MCA Records were uncertain that listeners would connect with the title, given it goes unmentioned in the vocal's lyrics. Previously, the label had appended parentheses to its ii stateside singles from Dude Ranch: "Dammit (Growing Up)" and "Josie (Everything's Gonna Be Fine)". The characterization was as well concerned about litigation from the Walt Disney Visitor, who held rights to the proper noun following their film adaption.[iii] The band disliked the suggestion,[19] but given the creative liberty MCA had afforded them throughout recording, agreed to the modify. Hoppus later conceded the new championship made more sense and "feels right".[3] Ring management and label executives saw a strong single in "What's My Age Again?" although DeLonge felt otherwise: "I didn't understand it, because up to that indicate, we hadn't had a big single."[19]

Commercially, "What's My Historic period Once again?" became one of the band'south best-performing singles. It was picked every bit the lead single from Enema of the Land. It was first serviced to radio in Apr 1999, and premiered on KROQ-FM, an influential Los Angeles alternative station. Hoppus remembered the group were finalizing mixing the album when the song debuted.[twenty] The song did best on Billboard 'southward Modern Rock Tracks chart; the vocal first entered the nautical chart during the week of May 8, where information technology debuted at number 21.[21] It starting time hit the top five during the week of June 5,[22] and hit number two on July 24,[23] where it remained for ten weeks behind the Ruby Hot Chili Peppers' "Scar Tissue".[24] The vocal crossed over to mainstream radio in mid-1999, where it debuted at number 71 on the Billboard Hot 100 on July 17.[25] It afterward peaked at number 58 in the issue dated October 23.[26] The song had previously peaked at number 51 on the Hot 100 Airplay chart on September 11.[27] In the United Kingdom, the song was released twice, kickoff on September 20, 1999, and once more on June 26, 2000, following the success of "All the Small Things.[28] [29] The 2000 re-release peaked at number 17 on the U.k. Singles Nautical chart.[xxx]

Disquisitional reception [edit]

The truth is that it was e'er a footling strange for grown men to be writing songs well-nigh prom night and other high-school pitfalls, simply "What's My Historic period Again?" works so well because it tackles that strangeness caput-on. Aside from featuring Blink'southward most recognizable riff this side of "Dammit", the song is an honest, relatable assessment of what information technology feels like to exist dragged kicking and screaming into adulthood. Information technology'southward rock and curlicue as escape, yep, only as well as a kind of backpedaling. Let the rock bands of the '70s champion sex and drugs; these guys just desire to remember what information technology feels similar to be kids over again.

—Collin Brennan, Consequence of Sound [31]

Carrie Bong at Billboard deemed the song a "peppy punk canticle"[7] while Spin columnist Jeffery Rotter chosen it an "platonic tonic for back-to-school nausea."[32] A Kerrang! writer called the vocal "ridiculously infectious,"[33] while the New Musical Express (NME) derided the song every bit "more mindless, punk-pop guitar thrashing from the world'south electric current favorite American brats ... on the plus side, the vocal — much like Blink-182'southward career, we hope — merely lasts for two-and-a-half minutes."[xxx] Stephen Thompson, writing for The A.V. Gild, complimented its tricky sensibility, remarking, "you'll never go bankrupt creating an canticle for young post-adolescents, even working within a well-worn genre."[34]

After reviews have after been positive. Jon Blisten of Beats Per Minute deemed it one of the record's "finest songs," calling information technology a "twisted, self-depreciating examination of homo-children."[35] In 2014, Chris Payne of Billboard chosen it "the quintessential Blink manifesto — the story of a twenty-something who still acts like a child."[36] The website Consequence of Sound, in a 2015 elevation 10 of the band's best songs, ranked it as number six, with writer Collin Brennan observing that its championship is "the question underpinning the entire Glimmer ethos".[31]

Music video [edit]

Filming [edit]

The opening shot depicts the band running nude down 3rd Street in Los Angeles.[37]

The music video for "What'south My Age Once again?", directed by Marcos Siega, features the band running in the nude through the streets of Los Angeles, as well as through commercials and daily news programs.[38] Information technology was filmed shortly afterward completing the album, and was co-directed by Brandon PeQueen. Siega and PeQueen developed the thought from the ring's onstage antics; Barker would frequently strip down to his boxers due to heat, while Hoppus would sometimes disrobe entirely, with only his bass guitar covering his genitals.[39] Siega had known the band for many years at that bespeak, having seen them play pocket-sized clubs years before.[xl] He partially credited the idea to a late-night talk show segment well-nigh a streaker. Hoppus and DeLonge were immediately receptive to the idea; Barker less and so. "My encephalon kept going to the sort of anti-establishment punk rock ethic that I associated them with. But not in an aggro way. They always came across to me as doing it with a wink," Siega later recalled.[xvi]

The group wore flesh-colored Speedos for most scenes.[41] The clip features a cameo appearance by porn star Janine Lindemulder, the model featured on the embrace of Enema of the State.[42] Barker remembered that motorists "kept staring at u.s.a. and honking their horns," and that the entire filming took virtually 15 hours. "They almost got into accidents," Hoppus told Rolling Rock.[43]

Popularity [edit]

The video first began receiving airplay in early May 1999, debuting on U.S. television channels MTV, MTV2 and The Box.[44] The video was MTV's second-most played video for the week ending August 1,[45] and remained a popular video on the channel for over two years.[46] The video was nominated for Best Alternative Video at the 2000 MVPA Awards,[47] but lost to Foo Fighters' "Learn to Wing".[48] The band referenced the clip at the 1999 Billboard Awards, which opened with a clip of the band streaking through Las Vegas,[49] too every bit through appearances on Total Request Live and the scripted sitcom 2 Guys, a Girl and a Pizza Place.[50] Entertainment Weekly writer Chris Willman called the video "ubiquitous".[fourteen]

Marcos Siega, the video's director, in 2014.

The video gave the band a reputation for nudity,[38] leading many critics to pigeonhole them equally a joke human action.[14] "It became something of an albatross as band members grew up," wrote Richard Harrington of The Washington Mail.[l] "You know, when we were filming the video for "What'southward My Age Once more?" the whole naked affair was only funny for like 10 minutes. Then, I was the guy standing naked on the side of the street Los Angeles with cars driving past me giving me the finger and shit. Information technology'southward funny watching the video at present, but at the fourth dimension, it stopped being funny 10 minutes in, and information technology definitely wasn't funny three days into it," recalled Tom DeLonge.[38]

This reputation would lead the band members to take command of their marketing and image, equally DeLonge later commented in 2014:

We were so naïve that nosotros would run around naked, but they'd make information technology all glossy and put it on posters and make it look like we really were some kind of erotic boy band or some shit. Nosotros were coming from the punk scene, but the label fashioned a whole affair around u.s. that nosotros didn't fifty-fifty sympathise; we were just kinda caught up in it. So it took united states a little bit to dig out of that and come up back to who we really were. And it's hard to do that once people spend millions of dollars making yous into something visually that we weren't.[51]

Legacy [edit]

"What's My Age Once more?" has endured as amidst the ring'south almost pop songs, and has widely been considered a watershed moment for pop punk every bit a genre. Several of the grouping'due south contemporaries ranked the song among the most genre'south near influential, including Jack Barakat of All Fourth dimension Low, Pierre Bouvier and Chuck Comeau from Simple Program, and Tyson Ritter of the All-American Rejects.[52] Rolling Stone 's Nicole Frehsée wrote that, "For a new generation of emo fans and bands, Glimmer'southward irreverent, upbeat take on punk stone with hits like "What's My Historic period Again?" and "All the Minor Things" was hugely influential."[53] 20 years after the vocal's release, Hoppus noted that fans oft decorate birthday cakes on their 23rd birthday with the lyric "Nobody likes you lot when you're 23", which he felt was an honor.[3] The ring subsequently paid homage to the song's infamous video in the music video for their 2016 unmarried "She'southward Out of Her Heed". The clip sees modernistic-twenty-four hour period social media personalities running in the nude in Los Angeles. Lindemulder's place in the video was taken by thespian and comedian Adam DeVine.[54]

The Hollywood Reporter 's Mischa Pearlman, in a review a 2013 concert by the grouping, wrote that the song "visibly infects every member of the audition. Because it'south a song that recalls the reckless carelessness of youth, and the carelessness of growing upwards."[55] Although the mag gave the song a scathing review upon its initial release,[thirty] NME placed information technology at number 117 on its list "150 Best Tracks of the By 15 Years" about xiii years later, writing, "Few songs capture the urge of wanting to human action stupid and exist immature as well every bit this 2000 unmarried does. [...] This is everything pop punk does well. Its guitar riffs seem to take been soaked in Relentless and its chorus makes you want to spring around the room. It'due south been imitated thousands of times since, only nothing's come close to this..."[56]

By the tardily 2000s, gild promoters in the U.M. created nights based effectually lasting appreciation of the pop punk genre, including 1 named later "What's My Age Again?", described as a night celebrating "pop-punk, youthful carelessness and teenage anarchism".[57] British radio station BBC Radio one have a section on one of their shows named after the unmarried and using information technology every bit the theme vocal. Greg James originated the game on his drivetime show, and has moved it to The BBC Radio ane Breakfast Show. The game sees Greg pitted against an opponent, typically a fellow Radio one DJ/presenter or celebrity guest. In the game, three listeners telephone in and talk to the competitors, who take it in turns to ask questions, then try to approximate the listeners' age.

On March 26, 2019, the song was lauded by Princeton professor of music Steven Mackey during an interview betwixt Hoppus and Mackey given at Princeton Academy.[58] Mackey praised the lyrics past proverb, "it's very much this portrait of this kind of 23 year old... Peter Pan complex", noting his enjoyment of the construction of the song, as well as its tone. Mackey stated, "afterwards the second chorus there's this instrumental break. And there's a lot of instrumental breaks in blink, which I really like. This i in particular, it goes to a minor key. Of a sudden, it's kind of melancholy. And when they come out of that instrumental break, and I hear the residual of the words, it's sort of like... I feel like, wow, was that a moment of reflection? And and then it's like, 'Ah, fuck it. Whatever.' It has that feeling. Information technology sort of deepens it for me."[59]

Mashup [edit]

"What's My Historic period Again? / A Milli"
Single by Blink-182 and Lil Wayne
Released August 23, 2019 (2019-08-23)
Genre
  • Popular punk
  • rap rock
Length 2:25
Characterization Columbia
Songwriter(southward)
  • Mark Hoppus
  • Travis Barker
  • Tom DeLonge
  • Dwayne Carter
  • Ali Shaheed Muhammad
  • Kamaal Ibn John Fareed
  • Shondrae Crawford
Blink-182 singles chronology
"Darkside"
(2019) 		"What'due south My Age Again? / A Milli"
(2019) 		"I Actually Wish I Hated You lot"
(2019)
Lil Wayne singles chronology
"Exist Like Me"
(2019) 		"What's My Age Again? / A Milli"
(2019)

In May 2019, the band recorded a live mashup of the song with hip hop artist Lil Wayne, to promote their joint headlining tour.[60] The track combines "What's My Age Again? and Wayne'due south 2008 unmarried "A Milli". The duo after released a articulation digital single featuring a studio version of the mashup in August of that yr.[61] The rail features Matt Skiba, who replaced founding guitarist Tom DeLonge in 2015, performing bankroll vocals and guitar. A press release promoted the new version, which was released to promote the 2d leg of the aforementioned tour, as a "new take on the track."[62]

The Fader contributor Jordan Darville noted that Wayne contradistinct a lyric from his original verse, substituting the term "crackers" for "bitches".[63]

Credits and personnel [edit]

Original version [edit]

Credits adapted from the liner notes of Enema of the Country.[9]
Locations

  • Recorded at Signature Sound, Studio Due west, San Diego California; Mad Hatter Studios, The Bomb Manufacturing plant, Los Angeles, California; Conway Recording Studios, Hollywood, California; Big Fish Studios, Encinitas, California
  • Mixed at Conway Recording Studios, Hollywood, California; South Beach Studios, Miami, Florida

Personnel

Mashup version [edit]

Credits adjusted from the YouTube video for "What's My Age Again?" / "A Milli". Barker is credited with songwriting on this edition, as opposed to his original credits for Enema of the Country.[64]
Personnel

Blink-182
  • Marker Hoppus – bass guitar, vocals, songwriting
  • Matt Skiba – guitars, vocals
  • Travis Barker – drums, percussion, songwriting

Additional musicians

  • Shondrae Crawford – songwriting
  • Tom DeLonge – songwriting
  • Kamaal Ibn John Fareed – songwriting
  • Ali Shaheed Muhammad – songwriting
  • Lil Wayne – vocals, songwriting

Production

  • Matt Malpass – engineer
  • Rich Costey – mixing engineer
  • Chris Athens – mastering engineer

Charts and certifications [edit]

References [edit]

Footnotes [edit]

  1. ^ "150 All-time Tracks Of The Past 15 Years". Nme.Com. Retrieved January 12, 2012.
  2. ^ "The Year in Music 1998: Hot Modernistic Stone Tracks" (PDF). Billboard. December 26, 1998. p. YE-84.
  3. ^ a b c d east f chiliad h i j 1000 DeMakes, Chris (October xix, 2020). Chris DeMakes a Podcast. Ep. 21: Mark Hoppus discusses blink-182's "What's My Age Again?". Spotify.
  4. ^ Aniftos, Rania (October 10, 2020). "Blink-182's Marking Hoppus Reveals the Green Day Song That Inspired 'What'south My Age Again?'". Billboard . Retrieved Nov 2, 2020.
  5. ^ "Blink-182: Inside Enema". Kerrang! (1586): 24–25. September xvi, 2015.
  6. ^ a b Barker & Edwards 2015, p. 122.
  7. ^ a b Bell, Carrie (Baronial fourteen, 1999). "The Mod Age". Billboard. Vol. 111, no. 33. p. 99. Retrieved June 1, 2014.
  8. ^ Nitsuh Abebe (September 25, 2011). "Sentimental Educational activity". New York. Archived from the original on September 6, 2012. Retrieved September 5, 2012.
  9. ^ a b c Enema of the State (liner notes). Blink-182. U.s.a.: MCA. 1999. 11950. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. ^ Barker & Edwards 2015, p. 119.
  11. ^ "Blink-182 What's My Age Once again? – Digital Sail Music". Music Notes. EMI Music Publishing. Retrieved Apr 20, 2011.
  12. ^ a b Bennett, Dan (2008). The Total Stone Bassist, p. 63. ISBN 978-0739052693
  13. ^ "Record Club: Revisiting Blink-182′south 'Enema of the Country'". Wondering Sound. October xiv, 2014. Retrieved December 12, 2014.
  14. ^ a b c Willman, Chris (February 25, 2000). "Nude Awareness". Amusement Weekly. New York Urban center: Fourth dimension Inc. (527). ISSN 1049-0434. Archived from the original on January 27, 2013. Retrieved January vii, 2013.
  15. ^ Barker & Edwards 2015, p. 123.
  16. ^ a b Siegel, Alan (July 31, 2019). "Don't Grow Up, Blow Up: The Rise of Blink-182". The Ringer. Archived from the original on July 31, 2019. Retrieved July 31, 2019.
  17. ^ Tingen, Paul (April ane, 2000). "Tom Lord-Alge: From Manson To Hanson". Sound on Sound.
  18. ^ Hoppus, Mark (2000). Blink-182: The Marker Tom and Travis Show 2000 Official Program. MCA Records. p. fourteen.
  19. ^ a b Browne, Nichola (November 20, 2005). "Punk Rock! Nudity! Filthy Sex! Tom DeLonge Looks Back On Glimmer-182's Greatest Moments". Kerrang!. London: Bauer Media Group (1083). ISSN 0262-6624.
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  25. ^ "Billboard Hot 100 - July 17, 1999". Billboard. Vol. 112, no. 29. July 17, 1999. p. 79. Retrieved June 1, 2014.
  26. ^ "Billboard Hot 100 - October 23, 1999". Billboard. Vol. 112, no. 29. October 23, 1999. p. 79. Retrieved June 1, 2014.
  27. ^ "Billboard Hot 100 Airplay - September xi, 1999". Billboard. Vol. 111, no. 43. September 11, 1999. p. 104. Retrieved June one, 2014.
  28. ^ "New Releases – For Week Starting twenty September, 1999: Singles". Music Calendar week. September eighteen, 1999. p. 27.
  29. ^ "New Releases – For Week Starting June 26, 2000: Singles". Music Week. June 24, 2000. p. 27.
  30. ^ a b c Shooman 2010, p. 69.
  31. ^ a b Dan Caffrey; Collin Brennan & Randall Colburn (February 9, 2015). "Blink-182's Top 10 Songs". Consequence of Sound . Retrieved February fourteen, 2015.
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  33. ^ Shooman 2010, p. 68.
  34. ^ Thompson, Stephen (June ane, 1999). "Review: Enema of the Country". The A.5. Club. Archived from the original on October 22, 2012. Retrieved July 18, 2012.
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  37. ^ Spud, Desiree (June 19, 2019). "Blink-182 Reacts to Their Best 'Enema of the Country' Videos 20 Years Later on (Sectional)". ETOnline.com . Retrieved July 31, 2019.
  38. ^ a b c Hoppus 2001, p. 97.
  39. ^ Barker & Edwards 2015, p. 124.
  40. ^ "Marcos Siega: The Rock Guy". MTV News. 2000. Retrieved March five, 2015.
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  46. ^ "Billboard Video Monitor For Calendar week Ending June 17, 2001". Billboard. Vol. 113, no. 26. June 30, 1999. p. 68. Retrieved June 1, 2014.
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  49. ^ Shooman 2010, p. 71.
  50. ^ a b Richard Harrington (June 11, 2004). "Seriously, Glimmer-182 Is Growing Up". The Washington Mail . Retrieved Feb 25, 2014.
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  52. ^ Kaplan, Ilana (November twenty, 2020). "x Pop-Punk Artists On The Genre's Essential Tracks". Nylon . Retrieved October 22, 2021.
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Sources [edit]

  • Barker, Travis; Edwards, Gavin (2015). Can I Say: Living Large, Cheating Decease, and Drums, Drums, Drums. William Morrow. ISBN978-0-06-231942-5.
  • Hoppus, Anne (October 1, 2001). Blink-182: Tales from Beneath Your Mom. MTV Books / Pocket Books. ISBN0-7434-2207-4.
  • Shooman, Joe (June 24, 2010). Glimmer-182: The Bands, The Breakdown & The Render. Independent Music Press. ISBN978-one-906191-10-8.

External links [edit]

  • Music video on YouTube

rodriguezstroully.blogspot.com

Source: https://en.wikipedia.org/wiki/What%27s_My_Age_Again%3F

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